Rise up, drill, fall and overturn used defensively in the body

The following footage shows me giving several examples of how to use rise up, drill, fall, and overturn at the point of contact between my opponent and myself. When a person touches another persons body with the intent of applying force they do it from a position of alignment and comfort. I simply change the position of the contact point so that it is no longer comfortable for my opponent ; it actually is a very small lock on his wrist. Any forces that he endeavors to place on me ricochet and come right back into himself. This may result in a wrist injury. This is the type of skill that one would use to injure the wrist of an attacker or when letting someone have a free punch prior to a duel.

Rise up, drill, fall and overturn used defensively in the body The following footage shows me giving several examples of how to use rise up, drill, fall, and overturn at the point of contact between my opponent and myself. When a person touches another persons body with the intent of applying force they do it […]

The Taijiquan Sanshou is a two person setsometimes translated as dispersing hands . The art is often dismissed as a two person dance. It is, however where One learns to "capture circles" . This is a very rare set, and it is only preserved legitimately in two lineages , the Tian Zhaolin lineage, and the Hsu Yang Ho lineage . Grandmaster Hsu taught this set to

TT Liang who combined it with push hands exercises and music to make his own set. This set was the creation of Yang Chien Hou according to my understanding. This example shows Jack, lifting my elbow to punch the ribs, an application of " fist under elbow." from his northern Wu style. Resisting the line of force that he is putting on my elbow will only empower him and defect my posture.Instead, I divert the force perpendicular to its line of attack with a facing up palm. The result of this is that he hits a wall and can't lift my elbow. I have coiled out into the palm shape, and now I reverse the palm shape, trapping his hand against my elbow, and pulling him out of center into a circle in which I return a strike first to his armpit/heart 1 point and the second example pulls him into the punch to his face or throat. This set was created to give multiple examples of attack and defense so that they may be preserved for future generations.

Thanks for watching! If you like what you saw, there’s a link below to my online course! It’s packed with over a year’s worth of lessons based on my 30+ years of teaching.

Come learn the forms and exercises I’ve used to boost my health, hone my martial skills, and pass on the knowledge to my students.

https://zhongdingtaichi.com/learn-internal-arts

The art is often dismissed as a two person dance. It is, however where One learns to "capture circles"

Capturing circles    and. the art of Sanshou

The standing training, Song  Gong, and Push Hands training, all work in concert to help the practitioner develop the quality of  " Bu Dui , Bu Ding " in the arms.  This is often translated as "don't insist ,don't resist " .  The second level of achievement is to develop that quality in the legs . One of the errors in training tournament. Push hands. Is that practitioners often develop a quality of bracing or pushing with the legs. This is similar to the type of power one might use to push a heavy piece of furniture. The following footage shows me first interacting with Alex and showing that when I engage my muscles and tendons, he can easily defect my posture and take me out. When the arms are released , I can issue force on him without having to contend with his resistant quality as it is neutralized by the open joints . The second level, I demonstrate how when I stop resisting with my legs I become more stable. I even wiggle my legs to show that they are not in a stiff resistant quality , I then slightly and quickly close my chest, which causes the force to go up the outside part of Alex's arms, I then press the heel of the foot and release the JIN through my torso and out of my chest uprooting Alex.

Achievement of the limbs

This footage shows me demonstrating the substantial and   insubstantial elements of the palm when applying force. I apply force downward in this example against the ward off Energy of Alan . When I endeavor to use strength and utilize the hand as one energy such as Yang , His resistant, defensive, energy can bridge my joints through the tension in my tendons , and affect my posture. When I press down, if I let the fingertips sink first, becoming Yang first, and then let the palm of my hand, or rather the heel of the palm sink, secondly, and sequentially, it will cause him to float up onto his toes, even if I do not use much pressure .  This is something that is very useful because when you sever someone's root their ability to neutralize force is compromised . Their ability to receive force is compromised, and they are basically in a position where they can be struck easily, and cannot defend against it effectively.

Rise up, drill, fall and overturn used defensively in the body

Practice with guidance